Carolee Schneemann
Carolee Schneemann, a groundbreaking performance and multidisciplinary artist, has used film and video since the 1960s. Shattering taboos and redefining the notion of the erotic, she confronts sexuality, gender, and the social construction of the female body. Her seminal performances of the 1970s were as transgressive as they were influential. Schneemann continues to provoke, as she explores female sexuality in relation to art-making, ritual, and culture.
Birth of a Nation
as SelfFilmmaker Jonas Mekas films 160 underground film people over four decades.
Movie pageHome Movies 1971-81
as uncreditedHome movies shot on Super 8mm by W+B Hein over 10 years.
Movie pageSleepless Nights Stories
as SelfDirector Jonas Mekas travels through New York nights, through apartments, studios, backstage...
Movie pageCat's Cradle
as SelfImages of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman...
Movie pageNo. 4
as HerselfThis film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a...
Movie pageCarolee, Barbara and Gunvor
as uncreditedFrom 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor...
Movie pageFuses
as uncreditedA silent film of collaged and painted sequences of lovemaking between Schneemann and her then...
Movie pageMarcel Duchamp: The Art of the Possible
as Self - ArtistA remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one...
Movie page!W.A.R.: !Women Art Revolution
as HerselfThrough intimate interviews, provocative art, and rare, historical film and video footage, this...
Movie pageMeat Joy
as Leading Woman"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw...
Movie pageLoving
as uncreditedIn Loving (1957), a couple make love in the sun and their optic system flares -- it's really the...
Movie pageTimes For
as uncreditedA sexually frustrated man complies with the emotional and erotic wishes of four women, but...
Movie pageMaya Deren's Sink
as HerselfMaya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of...
Movie pageABC - We Print Anything - In the Cards
as uncreditedVideo documentation of performance of the work hosted by De Appel, Amsterdam, in 1977 and filmed...
Movie pagePlumb Line
as uncreditedThe dissolution of a relationship unravels through visual and aural equivalences. Schneemann...
Movie pageAmericana I Ching Apple Pie
as uncreditedWrites Schneemann: "The 'Americana I Ching Apple Pie' recipe was first enacted in my Belsize,...
Movie pageMasculinity/Femininity
as SelfMasculinity/Femininity is an experimental film project interrogating normative notions of...
Movie pageEmma's Dilemma
as HerselfHenry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a...
Movie pageSplit Decision
as TracyThis film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in...
Movie pageValie Export - Icon and Rebel
as HerselfShe is the godmother of performance art. With her shocking public actions she created in the...
Movie pageSite
as uncreditedPerformance by Robert Morris and Carolee Schneemann.
Movie pageGrimace
as uncreditedProduced over several years between 1962 and 1967, Grimaces shows the faces of over a hundred...
Movie pageRebel Women: The Great Art Fight Back
as SelfOut of the tumult and fervour of the late 1960s emerged a generation of artists who set out to...
Movie pageAsk the Goddess
as uncreditedAsk the Goddess is a provocative performance in which Schneemann interacts with the audience by...
Movie page70 Years of Youth Revolt
as Self (archive footage)A look back at the social movements, revolts and youth subcultures from the post-war period to...
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