Dina Sfat
Dina Sfat, stage name of Dina Kutner (São Paulo, October 28, 1938 — Rio de Janeiro, March 20, 1989), was a Brazilian actress, of Jewish origin. She made her film debut in 1966 in the film O Corpo Ardente; however, the consecration came with Três Histórias de Amor, chosen as 'female revelation' at the Cabo Frio Film Festival. Furthermore, she stood out in the film Os Deuses e os Mortos, securing the 'Best Actress' award at the Brasília Festival, something that would be repeated again for her performance in O Homem do Pau-brasil, but in the category of 'Best Supporting Actress'. In the work A Culpa, Sfat was chosen 'Best Actress' by the Air France Awards. Sfat debuted on television in 1966 in the soap opera Ciúme, on Rede Tupi. However, her first consecration came in the 1970s, being elected 'Best Actress' three times by the Imprensa Trophy (Chica Martins in Fogo sobre Terra, Risoleta in Saramandaia and Paloma Gurgel in Os Gigantes), in addition to two nominations for the same award ( Helô in Assim na Terra como no Céu and Zarolha in Gabriela). In addition, she was also chosen 'Best Actress' by the APCA Award in the role of Fernanda in Selva de Pedra. In 2009, on the initiative of her friend and also actress Itala Nandi, the Dina Sfat Award was created, to honor actresses who have the same profile [as Dina Sfat]: great performers, dedicated mothers, politically engaged women.
Macunaima
as CiBorn a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically...
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Eros, the God of Love
as uncreditedA man explores the process of formation of sexuality and is looking for a woman that does not exist.
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The Jew
as uncreditedThe story of Brazilian Antônio José da Silva, a jewish poet, playwright and lawyer living in the...
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Of Gods and the Undead
as Crazy WomanIn the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who...
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Fable of the Beautiful Pigeon-Fancier
as AndreaOrestes, a rich factory owner, falls for the beautiful Fulvia. They communicate using pigeons,...
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O Capitão Bandeira Contra o Dr. Moura Brasil
as IreneSuccessful manager is haunted by a sinister character who enters his dreams, Dr. Moura Brasil.
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Tati, a Garota
as ManuelaThe seamstress Manuela, Tati's single mother, moves from the suburbs to Copacabana but faces...
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The Burning Body
as uncreditedMárcia discovers that her husband is having an affair and decides to take a trip out into an...
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Garden of War
as uncreditedEdson is having an affair with a left-wing aspiring movie director during Brazil's military...
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The Brazilwood Man
as Branca ClaraFantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of...
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Desire Machine: 60 Years of Teatro Oficina
as SelfIn six decades, Teatro Oficina has done more than revolutionize theatrical language in the...
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Family Album
as SenhorinhaFollows the decadence of an incestuous oligarch family in a rural Brazilian household through...
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Mulheres de Cinema
as SelfDocumentary on famous Brazilian actresses, female directors and the role of women in Brazilian...
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O Barão Otelo no Barato dos Bilhões
as Maria vai-com-as-outrasJoão-Sem-Direção knows Carvalhaes that proposes a blow to him. John does not accept the...
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On Borrowed Time
as PaulaDuring the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to...
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Heart and Guts
as RenataFinancial problems in a religious school for girls force the government to interfere. While...
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A Culpa
as uncreditedHeitor and Matilde are two siblings who decide to murder their rich father in order to quickly...
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Perdidos e Malditos
as uncreditedA criminal reporter and his guru-like friend go around together, but a crossroads will lead them...
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Bebê a Bordo
as uncreditedBebê a Bordo is a Brazilian telenovela produced and displayed at the time of 19 hours by Rede...
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Fogo Sobre Terra
as Francisca Peixoto Martins (Chica Martins)The plot takes place in a fictional city called Vale do Café, where two powerful families, the...
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Saramandaia
as RisoletaSaramandaia is a Brazilian telenovela originally written by Dias Gomes in 1976. It's considered...
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