Eugenio Kusnet

Born: 1898-12-29

Eugene Shamansky Kuznetsov, Cyrillic: Евгений Шаманский-Кузнецов) (Kherson Oblast, Russian Empire, December 29, 1898 — São Paulo, August 29, 1975), better known as Eugene Kusnet, was an actor, Russian theater director and teacher based in Brazil, considered the promoter of the Stanislavski method in the country and the most prominent actor to use this method on Brazilian stages.


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The Man Who Bought the World

as Chefe do SC
Released: 1968-09-16

In a fictitious country, a civil servant receives the greatest inheritance in history (ten...

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Desire Machine: 60 Years of Teatro Oficina

as Self
Released: 2021-04-10

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the...

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Tristeza do Jeca

as Coronel Bonifácio
Released: 1961-05-11

Simple and popular hillbilly Jeca is forced to get involved in politics, when the leaders of the...

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Crônica da Cidade Amada

as uncredited
Released: 1965-09-24

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of...

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Zé do Periquito

as uncredited
Released: 1960-03-25

Zenó (Mazzaropi) is a poor gardener of a traditional school in São Paulo who falls in love with...

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The Landowner's Daughter

as Frei José
Released: 1953-05-11

In 19th century Brazil, young people in the State of São Paulo fight against black slavery and...

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Cidade Ameaçada

as uncredited
Released: 1960-06-08

Based on true events, the film tells the story of Brazilian outlaw Promessinha, one of the most...

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I Married a Xavante

as Cientista
Released: 1958-04-16

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Gente Que Transa

as uncredited
Released: 1974-02-08

Competing for the concession of a TV channel, one of the contenders throws an orgy to defeat the...

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Cara de Fogo

as Tonico Pereira
Released: 1958-12-24

A family moves to a farm and witnesses some cattle thefts, then being chased by the criminal...

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A Estrada

as Tomás
Released: 1955-01-01

Two truck drivers work on Brazilian roads.

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Hitler in the Third World

as uncredited
Released: 1968-01-01

Paranoia, guilt, misery, and technology in the developing country. A fragmented narrative,...

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