Jean-Claude Rousseau
Jean-Claude Rousseau is one of the most unconventional lone fighters in French cinema. His predominantly short films deal with no less than cinema per se: space, time and movement. As abstract as each of these concepts might seem taken alone, Rousseau assigns their ultimate designation as an integral whole: A person (or no-one, for that matter) moves (or does not move) within a room (or looks into another room) for a certain amount of time.
The Tomb of Kafka
as Himself“You do not need to leave your room. Remain sitting at your table and listen. Do not even...
Movie pageUne Vie Risquée
as HimselfShort film commissioned by the Cinemathèque Suisse to celebrate Jean-Marie Straub’s 85th birthday.
Movie pageJeune femme à sa fenêtre lisant une lettre
as HimselfJean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first...
Movie pageRemembering Wavelengths
as uncreditedJean-Claude Rousseau homage to Michael Snow’s film Wavelength.
Movie pageChansons d'amour
as uncreditedA man spends his time sitting by a window that overlooks a pool.
Movie pageL'Appel de la forêt
as uncreditedL'Appel de la forêt follows the call of nature, but, as it is always the case with Jean-Claude...
Movie pageLettre à Roberto
as HimselfRooms must be vacated before noon on the day of departure. An extra night will be charged for...
Movie page