Joaquín Burgos
Uncle Hyacynth
as uncreditedHyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter...
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La paz empieza nunca
as uncreditedInspired by the classic novel by journalist and writer Emilio Romero. Shortly before the...
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La venganza de Don Mendo
as uncreditedDon Mendo, Marquess of Cabra, gallant and dashing knight of medieval Castilian, is also a...
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Un rayo de luz
as Recepcionista hospitalA man and a woman have been secretly married. He belongs to a rich family and she is a poor...
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The Coyote
as (no acreditado)California, 1848. An invading army has defeated the few opposing forces and the territory has...
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Molokai: la isla maldita
as uncreditedKingdom of Hawaii, 1866. Fearful that leprosy would spread throughout the archipelago, the king...
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Life Goes On
as uncreditedMadrid, Spain. Eloísa, a self-sacrificing wife and efficient mother, lives in the neighborhood...
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Ringo: The Lone Rider
as uncreditedA town is being terrorized by a gang of marauders led by Bill Anderson, a clever bandit boss....
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El balcón de la Luna
as CamareroThe lives of 3 singers during their last few months working at a venue called "The Moon's Balcony"
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La barrera
as uncreditedIn a small town, the administrator, confronted with the baker, forbids his children fto talk...
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Eugenia de Montijo
as uncreditedEugenia de Montijo, an extraordinarily beautiful woman, educated and intelligent daughter of the...
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The Coyote's Justice
as uncreditedCalifornia, 1840s. Wealthy landowner César de Echagüe, secretly acting as El Coyote, the...
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Aquellos tiempos del cuplé
as CocheroMercedes Pavón, a famous singer of cuplés is harassed by three men totaly different.
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Blame Me
as uncreditedA Mexican steer rancher goes to Spain to get some bulls he bought but that were never delivered....
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Educando a papá
as uncreditedEmigre returns to Spain to visit family; reunites with long-lost illegitimate son and rescues...
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El pórtico de la gloria
as Hombre que conoce a AlejandraThis could be considered the inaugural film of the Jacobean fiction film. Its argument follows...
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