Júlio Bressane
Júlio Eduardo Bressane de Azevedo (Rio de Janeiro, February 13, 1946 ) is a Brazilian filmmaker and writer. A representative of the Brazilian cinema marginal, he began making films as an assistant director of Walter Lima Jr., in 1965. In 1967, Bressane debuted as director with Face to Face, being selected for the Festival of Brasilia. In 1970, he founded Belair Movies in company with fellow filmmaker Rogério Sganzerla. They chose a model of making films and low-cost production and thereby managed to run six feature films in just six months. He came into exile in London in the early 1970s, but returned to Brazil several years later and made one film after another, using slapstick and debauchery as its main features. An acclaimed film of this period was the provocative Tabu, released in 1982. Critics consider Bressane the most scholarly of the Brazilian film directors, and his work is notable for the diversity of its narrative language. Another feature of his filmography is the comprehensive approach to historical and literary characters. He is also noted by his low-budget, short-time shootings, with an average of 11 to 14 days to make and edit a film. Description above from the Wikipedia article Júlio Bressane licensed under CC-BY-SA, full list of contributors on Wikipedia.
Talking Cinema
as uncreditedA fragmented style, patchwork of interviews with Caetano Veloso's friends, mixed with...
Movie pageAbout Cinema
as SelfAn abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film...
Movie pageThe Long Voyage of the Yellow Bus
as SelfFor this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to...
Movie pageCandango: Memoirs from a Festival
as SelfIn 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's...
Movie pageA Vermelha Luz do Bandido
as uncreditedExperimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The...
Movie pageA Miss e o Dinossauro
as Himself (archive footage)A short documentary on Belair, an independent Brazilian film company that lasted for only five...
Movie pageSentimental Education
as SelfSentimental Education centers on the unique relationship between Áurea, a lonely 40 year old...
Movie pageThe Queen of the Night
as O EspectroA statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of...
Movie pageO Pó da Terra
as (Archive Footage)A man gets his chance to interview art.
Movie pageThe Agony
as uncreditedCropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the...
Movie pageChinese Viola
as SelfThe rare short film presents a curious dialogue between filmmaker Julio Bressane and actor...
Movie pageDrumming Beat of the Stars
as uncreditedAn essay around the streets, as an homage to Fernando Pessoa
Movie pageCopacabana, Mon Amour: A Restauração
as SelfA documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".
Movie pageBrás Cubas
as Film DirectorIrreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás...
Movie pageQuando a Coisa Vira Outra
as Self (archive footage)Vladimir Carvalho's Cinema of Inequality marked the documentary filmmaker's trajectory over...
Movie pageBelair
as uncreditedBetween February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their...
Movie pageLágrima Pantera: A Míssil
as uncreditedA silent film shot in New York in 1972, including scenes in Hélio Oiticica’s apartment. Last...
Movie pageTorquato Neto, O Anjo Torto da Tropicália
as SelfA documentary chronicling the life and works of Brazilian poet, songwriter, journalist and...
Movie pageNietzsche Sils Maria Rochedo de Surlej
as uncreditedBressane (together with his partner Rosa Dias and young filmmaker Rodrigo Lima) guide us through...
Movie pageGaláxia Albina
as uncreditedA liberal interpretation of the book Galáxias, one of the most important works by the great...
Movie pageStrade perdute - Filmmaker 23
as uncreditedFor Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers...
Movie pageA Mulher da Luz Própria
as Self (archive footage)Helena Ignez is one of the main female figures of Brazilian cinema. She developed a new style of...
Movie pageNaive Cinema
as ReporterAn essay film on the editing of erotic movies.
Movie pageVer Viver Reviver
as uncreditedIn September 2007 Júlio Bressane goes to Ferrara. In the cemetery of the Italian city he ends up...
Movie pageNouvelle Vague
as (voice)Some videos about the new wave of the cinema.
Movie page