Manual of Arms

as uncredited

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his...

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The Price of Everything

as uncredited

Featuring collectors, dealers, auctioneers and a rich range of artists, including market...

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Who Gets to Call It Art?

as Self

Metropolitan Museum of Art curator Henry Geldzahler reflects on the 1960s pop art scene in New York.

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