Marian Dora
Marian Dora is the pseudonym most commonly used by an anonymous German director, cinematographer, actor, screenwriter, editor, producer, composer, assistant director, makeup artist, special effects/sound/camera/electricity technician, and set decorator/designer, anagram of his actual name, occasionally also credited under several other pseudonyms. Dora’s main influence is the European cinema of the 70s: he is a great admirer of the work of Italian directors Gualtiero Jacopetti, Ruggero Deodato, and Sergio Martino, as well as of composers Riz Ortolani, Pippo Caruso, Ennio Morricone, and Guido & Maurizio De Angelis. Europe’s literary and poetical tradition is another major influence on Dora: many dialogues in his films contain references to the works of Johann Wolfgang von Goethe, Eduard Mörike, Georg Büchner, Marquis de Sade, Friedrich Nietzsche, and many others.
Debris Documentar
as HimselfThe film, released on DVD in 2014 as part of a boxset also containitng Melancholie der Engel...
Movie pageZombie Nation
as OrderlyA psycho cop with a weakness for killing his female arrests gets what's coming to him when a...
Movie pageRevisiting Melancholie der Engel
as Himself"Revisiting Melancholie der Engel" follows in the tracks of Marian Dora's infamous "Melancholie...
Movie pageBeyond Horror: The History and Sub-Culture of Red Films
as HimselfA documentary exploring the history and sub-culture of red films.
Movie page