Michel Auder
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Birth of a Nation
as SelfFilmmaker Jonas Mekas films 160 underground film people over four decades.
Movie pageLanglois
as SelfDocumentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.
Movie pageFun and Games for Everyone
as uncredited“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier...
Movie pageThe Feature
as uncreditedThe Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly...
Movie pageThe Stone Age
as uncredited"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante
Movie pageHome Movie : Marrakech
as uncreditedThe film begins with shots in Venice, passers-by seized from a hotel room, with Tina Aumont. It...
Movie pageFictional Art Film
as DirectorFor the past 50 years, Michel Auder has been recording his personal life, creating films and...
Movie page