Michel Auder

Born: None

Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.


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Langlois

as Self
Released: 1970-09-19

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

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Birth of a Nation

as Self
Released: 1997-08-06

Filmmaker Jonas Mekas films 160 underground film people over four decades.

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Fun and Games for Everyone

as uncredited
Released: 1969-12-22

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier...

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The Feature

as uncredited
Released: 2008-11-28

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly...

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The Stone Age

as uncredited
Released: 1970-01-31

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

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Fictional Art Film

as Director
Released: 2019-08-14

For the past 50 years, Michel Auder has been recording his personal life, creating films and...

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