Paul Sharits

Born: 1943-02-07

Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,


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Cinématon

as N°120
Released: 1978-12-20

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the...

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Birth of a Nation

as Self
Released: 1997-08-06

Filmmaker Jonas Mekas films 160 underground film people over four decades.

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On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?

as Liveraccio
Released: 1977-01-01

“Freud established that jokes were structurally akin to dreams in their use of condensation,...

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Paul Sharits

as Himself
Released: 2015-01-22

Long after his premature death, the impact of Paul Sharits lingers on. The prominent iconoclast...

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Home Movies 1971-81

as uncredited
Released: 1985-01-01

Home movies shot on Super 8mm by W+B Hein over 10 years.

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Rapture

as uncredited
Released: 1987-01-01

'Rapture' is a fierce vision of a Dionysian experience, a tightly controlled visual statement...

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Paul Sharits Interview with Gerard O'Grady

as himself
Released: 1976-05-16

This is a rare video interview with one of America’s finest film artists, shot in New York...

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Funtime at the Vasulkas

as uncredited
Released: 2006-01-01

A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and...

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