Peter Kubelka
Peter Kubelka (born 23 March 1934 in Vienna, Austria) is an Austrian experimental filmmaker, architect, musician, curator and lecturer. His films are primarily short experiments in linking seemingly disparate sound and images. He is best known for his 1966 avant-garde classic Unsere Afrikareise (Our Trip to Africa). Kubelka made 16mm films, mostly shorts, and is known for his 1960 film Arnulf Rainer, a "flicker film" which alternates black and clear film that is projected to create a "flicker" effect. Kubelka also designed the Anthology Film Archives custom film screening space in the 1970s in New York. The theater had highly raked (tiered) seating with a cowel over each seat and visual barriers between each seat so that the audience member was totally isolated visually from other patrons. The theater was painted black and the seating was covered in black velvet. The only light in the room between film showings came from a spotlight aimed at the screen, thus ensuring that the only light in the room came from the screen. The design is illustrative of the purist aesthetic of the Avant Garde film movement of that era. Description above from the Wikipedia article Peter Kubelka, licensed under CC-BY-SA, full list of contributors on Wikipedia.
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
as SelfA compilation of over 30 years of private home movie footage shot by Lithuanian-American...
Movie pageDiaries, Notes, and Sketches
as SelfAn epic portrait of the New York avant-garde art scene of the 60s.
Movie pageReminiscences of a Journey to Lithuania
as SelfA 1971–72 documentary film by Jonas Mekas. It revolves around Mekas' trip back to Semeniškiai,...
Movie pageBirth of a Nation
as SelfFilmmaker Jonas Mekas films 160 underground film people over four decades.
Movie pageCinématon
as N°295Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the...
Movie pageHe Stands in a Desert Counting the Seconds of His Life
as Self (archive footage)A film collage tracing the story of the lives, loves, and deaths within the artistic community...
Movie page365 Day Project
as uncreditedThis exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in...
Movie pageFree Radicals: A History of Experimental Film
as HimselfExperimental filmmaker Pip Chodorov traces the course of experimental film in America, taking...
Movie page23rd Psalm Branch: Part II
as HimselfThe second part: Brakhage’s layering of images spends less time with images of war, and begins...
Movie pageCinema Austria, the first 112 Years
as HimselfThis historical and analytical documentary draws attention to the background of the roots of...
Movie pageTapes
as uncreditedThe tapes in the program consist of some of Mekas’ earliest cassettes from the 1990s not long...
Movie pageFour Shadows
as uncreditedFour four-minute image sections and four four-minute sound sections are linked in all...
Movie pageEXPRMNTL
as himselfKnokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice...
Movie pageHome Movies 1971-81
as uncreditedHome movies shot on Super 8mm by W+B Hein over 10 years.
Movie pageWhat Is Happening? Art in the Life of Gertie Fröhlich
as Selfn 2018, director Marieli Fröhlich initiated a documentary about her mother, the artist Gertie...
Movie pageFragments of Kubelka
as HimselfThis epic documentary subtly introduces the complex worldview of iconic filmmaker and...
Movie pageRestoring 'Entuziazm'
as SelfA documentary on the restoration of Dziga Vertov's Entuziazm: Simfoniya Donbassa (1931).
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