Pia Epremian
(Chivasso, Turin, 1940), only woman filmmaker of the CCI, she spent time on the Turin art scene in the 1960s with her childhood friend and confederate Tonino De Bernardi. Her degree thesis on Proust formed the basis of her first film Proussade 1967, followed by other short and medium-length films, all in 8mm until 1971, when she stop making films. She then moved to Rome to concentrate on psychoanalysis, specialising in the treatment of children and teenagers.
Il mostro verde
as uncreditedShort made for double parallel projections, for which Allen Ginsberg said that it's his favorite...
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Migration
as uncreditedThis is the third and most extensive part of the cycle Eryngium. The essential theme is the...
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Dissolvimento
as uncreditedDissolvimento shows two women in domestic interiors who perform two different actions, edited...
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Dei
as uncreditedThe construction of the film is very simple. Most of the time we see faces in close-up. Three...
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