Teo Hernández
Téo Hernández was born on December 23, 1939 in Ciudad Hidalgo, Mexico. After studying architecture, he founded with a friend the CEC (Centro Experimental de Cinematografia), in Mexico City. In 1960, the French Institute of Latin America financed the first project of the group, a documentary that will remain unfinished. He moved to Paris in 1966. From 1968 to 1975, he made films in super 8 in London, Paris, Morocco and Denmark. Then accompanied by Michel Nedjar with whom he turned "Michel là-bas" in Morocco, he traveled for six years in India, Nepal, Greece ... Back in Paris, he realized Salomé (1976) in the spirit of Oscar Wilde. He meets Gaël Badaud, with whom he begins a long series of collaborations where elements of his own experience are incorporated in the films. In 1977, he realized Cristo, which will be part of a trilogy on passion with Cristaux and Lacrima Cristi. In 1980, with his friends (Nedjar, Jakobois and Badaud) he founded the group MétroBarbèsRochechou Art.
Cinématon
as N°16 / N°481Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the...
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Cristo
as uncreditedAll of history, that of Christ or any other, permeates the world, leaves its mark, modifying and...
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Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)
as Himself (voice)
Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II)
as Himself (voice)
Nuits transparentes
as uncreditedStrolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich,...
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Le gant de l'autre
as uncreditedExploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.
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À quoi rêve l'araignée ?
as uncreditedAn autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an...
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Ephemeral
as uncreditedThe construction of the film outlines the successive steps of a path that, as we move forward,...
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Bouquet of Eyes
as uncreditedThrough the use of portraits, shadow play and reflections, this series of exercises with and...
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14, Bina Garden
as uncredited"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A...
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Fragments
as uncreditedEyes and ears travel discontinuously through everyday life and the sub-worlds of the city and...
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Les Jours et les Nuits
as SelfI give a methodical account of my film work: the creation of new series (Lire, Trio, Avec...
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4 à 4 Métro-Barbès-Rochechou-Art
as uncreditedIn the early '80s, this collective of artists invented a style of cinema made in 4 hands, where...
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Au cœur du cristal
as uncreditedThe song composed by the author modulates the phases of the film and constitutes, in its...
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Tables d'hiver
as uncreditedWinter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and...
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Angle
as uncredited"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked...
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Three Drops of Mezcal in a Glass of Champagne
as uncreditedAn autobiographical black-and-white short in which Teo Hernández portrays his Purépecha father...
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