Todd Haynes
Todd Haynes (/heɪnz/; born January 2, 1961; Los Angeles) is an American filmmaker. His films span four decades with themes examining the personalities of well-known musicians, dysfunctional and dystopian societies, and blurred gender roles. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's life and death, using Barbie dolls as actors. Superstar became a cult classic. Haynes's feature directorial debut, Poison (1991), a provocative exploration of AIDS-era queer perceptions and subversions, established him as a figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film, Safe (1995), a symbolic portrait of a housewife who develops multiple chemical sensitivity. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. His next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival. Haynes gained acclaim and a measure of mainstream success with Far from Heaven (2002) earning his first Academy Award nomination for Best Original Screenplay. He continued to direct critically lauded films such as I'm Not There (2007), Carol (2015), Wonderstruck (2017) and Dark Waters (2019). He directed his first feature-length documentary, The Velvet Underground (2021). Haynes directed and co-wrote the HBO mini-series Mildred Pierce (2011) for which he was nominated for three Primetime Emmy Awards.
Fabulous! The Story of Queer Cinema
as SelfA chronological look at films by, for, or about gays and lesbians in the United States, from...
Movie pageXavier Dolan: Bound to Impossible
as SelfActors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels...
Movie pageSuperstar: The Karen Carpenter Story
as Todd DonovanThe final 17 years of American singer and musician Karen Carpenter, performed almost entirely by...
Movie pageSwoon
as Phrenology HeadTeenagers Nathan Leopold Jr. and Richard Loeb share a dangerous sexual bond and an amoral...
Movie pageGreat Directors
as SelfFeatures conversations with ten of the world's greatest living directors: Bernardo Bertolucci,...
Movie pageAt the Video Store
as SelfEqual parts personal essay, intense rumination, and playful satire, this movie laments the death...
Movie pageAt Sundance
as SelfA group portrait of filmmakers attend the 1995 Sundance Film Festival. Featuring Matthew...
Movie pageDouglas Sirk – Hope as in Despair
as SelfAn investigative portrait of the master of cinematic melodrama, Douglas Sirk. His life was the...
Movie pageAssassins: A Film Concerning Rimbaud
as uncreditedThe violent love between poets Arthur Rimbaud and Paul Verlaine.
Movie pageEine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
as SelfIn his film "Far From Heaven", Todd Haynes refers very respectfully to Douglas Sirk's "All that...
Movie pageInfinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
as IntervieweeFilmmaker Todd Haynes talks about Max Ophuls' 1952 film Le Plaisir.
Movie pageOff Script with The Hollywood Reporter
as SelfTHR’s famed Roundtables are reimagined for broadcast and offer a fresh perspective on a classic,...
TV Show page