Tonino De Bernardi
Tonino De Bernardi (1937, Italy) made his first work at the end of the 1960s. His underground films were often projected in museums and art galleries. In his films, De Bernardi mixes life with his interest in literature, music and art. In 1987 he made his first official feature, Elettra, after Sophocles.
Cinématon
as N°1542Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the...
Movie page365 Day Project
as uncreditedThis exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in...
Movie pageAge Is...
as uncreditedStephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts...
Movie pageErinnerung An Die Zukunft
as uncreditedUnfinished feature film by Piero Bargellini.
Movie pageGalileo’s Thermometer
as uncreditedA whole summer long, Portuguese filmmaker Teresa Villaverde stayed with Italian cult director...
Movie pageStrade perdute - Filmmaker 23
as uncreditedFor Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers...
Movie pageCoda
as uncreditedA conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of...
Movie pageMarco Melani - The Man With The Golden Eye
as uncredited"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live...
Movie pageTonino De Bernardi: One Time, One Encounter
as Self"Tonino De Bernardi - Un tempo, un incontro" is a film about the duel between two friends who...
Movie pageMigration
as uncreditedThis is the third and most extensive part of the cycle Eryngium. The essential theme is the...
Movie pageIl mostro verde
as uncreditedShort made for double parallel projections, for which Allen Ginsberg said that it's his favorite...
Movie pageDei
as uncreditedThe construction of the film is very simple. Most of the time we see faces in close-up. Three...
Movie pageTonino e le galline
as HimselfItalian film-maker Tonino De Bernardi meets in rural Liguria an old countrywoman, Agnese, and...
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